Photo tips Archives

May 20, 2013

Tips for Shooting Quickly

This picture has “brothers” written all over it. It happened to have been taken in Athens, Ohio, in 1969, but a similar one could be taken anywhere in the world.

So, how do you take a picture like this? I don’t remember doing it. It was a single frame sandwiched between a scenic of a tree and interior of a house. The scenic tells me that I was cruising around looking for wild art before or after the interior assignment.

My guess is that I was standing on the back porch talking with the homeowner when the kids started going at it. I had time to get that one picture before mom or dad broke up the scuffle.

To be ready for quick shooting, I always had at least one camera body set to shoot for different lighting situations. That might mean one would be set for bright daylight and another for low level lights. When you have to shoot fast, you don’t have time to take light readings and fumble with shutter speeds and f/stops. You grab the appropriate body, shoot and hope your exposure is close enough to fix in the darkroom.

Tight or loose?

I like the looser composition of this shot that hasn’t been cropped much because it gives the feeling that the kids are going at it unsupervised The tight shot feels like an adult is hovering.

Why did I emphasize the tight shot, then?

Newspaper rule of thumb was that a face had to be the size of a dime if you were going to be able to see detail in it. The cropped photo is the one that would have run; reader eyeballs don’t linger long, so you want to get your message across quickly.

Even this shot is cropped in from the left a little. The original shows a tricycle parked at the bottom of the steps on the left.

In addition to making the faces larger, there was another consideration: the boys are in the shade and a white house in the background is in bright sunlight. That’s a killer wide range of exposures to try to balance in a photo. Taking the background out meant less distracting blown-out highlights.

April 17, 2013April 18, 2013

Drops of Rain

I had four situations on a roll of film: the St. Charles Hotel, the Indpendence traffic jam, the actual assignment (I’ll publish it later) and this random shot of rain drops.

I probably shot the assignment at the airport, then cruised around looking for stuff to burn up the rest of the roll.

There were four frames of the raindrops, but I like this one with a drop making its escape at the bottom the best.

The key to shooting something like this is to shoot so that only the important part of the photo is sharp. I probably used a 105mm or 200mm telephoto set at a wide aperture so there would be very little depth of field – in other words only a little of the frame would be sharp.

Through a screen fuzzily

This looks like it was shot though the screen on our side porch. It’s interesting, but not interesting enough that I was going to spend much time spotting out some ugly scratches at the bottom.

Nikon D7000

I got a box in the mail Tuesday with a shiny Nikon D7000 in it. I mentioned that my Nikon D3100 started hiccuping on my way back from Cape in March. I thought it might have gotten a bit sticky from experiencing cold weather. It turned out that a piece had been rattling around for almost a year after I crashed on my bike. It’s been out of service for a couple of weeks and a couple of hundred bucks.

(By the way, if you are interested in buying those cameras, click on the links and I’ll get a piece of the action to help pay for MY camera. Also BTW, the first link to the Nikon D7000 is for a body by itself. If you want the basic Nikkor 18-55mm lens with it, you’d go here.)

It dawned on me that had it crapped out at the beginning of the trip instead of the end, I’d have been in a lot of trouble. That gave me an excuse to buy a second, much improved camera body. That will also mean I don’t have to switch lenses when I use the 55-200mm lens birthday present the boys bought me.

The only thing is that I’ve had it almost 12 hours and I haven’t had the nerve to so much as put the camera strap on it. The operating manual is about as thick as War and Peace and just about as easy to understand as the Russian language version of the book.

I long for the days when I could eyeball the exposure, focus on what was important and change the shutter speeds and f/stops by feel. The camera shouldn’t be smarter than the photographer.

Wow, half a century

I was talking with the Athens County Historical Society Museum curator Jessica Cyders this morning. She was putting together a bio for an upcoming exhibit and wanted to know when I got into the newspaper business. “April 17 – HEY! That’s today – 1963. I was 16 and didn’t even have my driver’s license when my first picture appeared on the front page of The Missourian.” Today would have been my Dad’s birthday, too. He would have been 96, which puts him on the verge of being old.”

February 24, 2013

Nearly Full Moon

I was headed out the door to grab something to eat when Mother said, “There’s a full moon tonight.”

“Oh, I wish you hadn’t told me. I’m too tired to shoot it,” I lamented after a day of cutting wood. (I’m also too tired to write about THAT, too, despite promises I made on Facebook. It’ll come.)

That’s when I remembered my early birthday present from The Boys: my Nikon 55-200mm lens. How could I pass up a chance to see what THAT would do with the moon.

Not bad. It’s always more interesting if it’s lower in the sky and if it has some kind of interesting landmark in the foreground, but this will do for a lens test. You can click on it to make it larger.

Photo geek info

I shot the photo with my Nikon D3100. The ISO was 400 and the exposure was 1/320 @ f5/7. The lens was zoomed to the maximum 200mm, which would be the equivalent of 300mm on a standard 35mm film camera.

I underexposed five stops from what the meter indicated (because it was reading all that black sky). It was taken with manual focus instead of automatic because it kept wanting to either grab onto some tree limbs in the foreground or not fire at all because it didn’t think there was anything there. One of the nice things is that the focusing ring on that lens is big enough to grab; that’s not the case with my 18-55mm lens.

It would be a little sharper if I had bothered to drag a monopod or my new Vanguard Alta Pro 263AT tripod out of the car, but I was too tired and hungry to fool around with fancy stuff.

Oh, and when I got home, I found out that the moon wasn’t all the way full. It was only 97% full.

February 19, 2013

A Rainy Night in Cape Girardeau

Ever wonder why car ads always show wet roads, but it’s never raining? It’s because all the reflections are REALLY neat. This is southbound on Kingshighway south of Broadway. (You can click on the photos to make them larger.)

I had to make a run to UPS to send a thumb drive full of photos to the Athen (OH) Historical Society and Museum. When I stopped by there last month, I left off a bunch of photos I took when I worked in Athens back in the late ’60s and early 70s. Friend Jan and I had barely gotten out of town when curator Jessica Cyders pinged me to ask if I thought it would be possible to put together an exhibit on the Martin Luther King National Day of Mourning I shot in 1968 by February 27 to cap off a Black History Month conference. Since Jessica and Danielle Echols were doing to do most of the heavy lifting, I agreed.

I’m flying out to speak to the group at the end of the month, and I’m busy putting together a show catalog right now. It’s neat that someone thinks my old stuff is worth sharing.

Tuesday I’m supposed to speak to a historical preservation class at Southeast Missouri State University. I threw in a lot of new Cape-specific stuff this afternoon, so what I say is going to be as big a surprise to me as it will be to the class.

Stop light at Pacific and Independence

After I dropped the drive at UPS, I decided I’d drive around looking for rain art. Photographers always thought life was unfair. Reporters did weather stories by calling the weather bureau, digging out clips about the Last Big Storm and, if they could be bothered, looking out the windows. Photographers had to get their shoes muddy.

Old Traffic Bridge

Downtown was kinda blah, so I stopped by what remains of the old Traffic Bridge.

Since I retired, my new contract says that I don’t go hungry, get wet or lift heavy objects. These photos were all taken from inside my van with the heater running.

Haarig or Good Hope

The wind and rain were really whipping from the south when I paused on Good Hope looking west toward Sprigg. It was coming across the road in sheets.

Pacific looking south from SEMO

I figured I’d better scope out where I’m supposed to be presenting Tuesday, so I went up Pacific to the Carnahan Building. On the way back I tried to capture the rain coming up the street and down the hill. These are the times I envy the TV guys with their video. It’s tough to get across the concept of driving rain in a still.

Through the windshield

When an oncoming car lit up the water droplets on the windshield, the camera’s autofocus thought that’s what I wanted to shoot. It’s neat, and I’m glad it happened, but it wasn’t my target.