Knocking on Doors

Dave Allen 07-27-2013I wanted to see if I could find any trace of the house on Robinson Road where I photographed Bill Robinson and Jesse King in 1969. I drove the length of the short road and didn’t see a house like it, so I doubled back to see if any of the land forms were the same. I got no answer at the first two houses I tried. At the third, I was greeted by two dogs about half my size who threatened to lick me to death. A young man working on a bicycle pedal was almost as friendly as his dogs (except for the licking part), but he was of no help.

I drove down a lane and heard a dog barking inside a trailer. When I knocked on the door, the dog came charging down the hallway and launched himself at the window at about neck-high. They (a) didn’t need a doorbell and (b) probably didn’t have many door-to-door salesmen (who survived.)

I had better luck at the last house: Dave Allen was working out in his driveway. After I explained my mission, he thought he might have a vague recollection of the two men, but said his dad might be better able to help. He reached out for him on his cellphone. While we were waiting, Dave showed me two farm tractors he was restoring and told me that the Allen family had been living on that land since 1850. Nobody else’s name has ever been on it, he said.

Norm Allen

Norman K Allen 07-27-2013

Norman K. Allen, 77, was a delight to talk with. He thought the house might have been one “just before you go down the steep hill with the curve. We didn’t go down there much.” He said it was possible the old house might have been reconfigured, but a second glance convinced us that it must have been replaced with a newer one if we were in the right place. (I’m not convinced we were. Some points of the terrain didn’t add up for me.)

Another Allen was fascinating: Capt. Josiah Benton Allen was one of the men responsible for the erection of the Civil War memorial on the Main Green at Ohio University. When he enlisted in the Union Army, his mother didn’t want him to go. “She chased him all the way from the house to the train,” Norm said. He was 19.

Capt. Allen lost arm at Vickburg

Norman K Allen 07-27-2013The information Dave and Norm provided pretty much dovetailed with a biography of Capt. Allen in the 1883 History of Hocking Valley: “July 4, 1861, he enlisted in Company C, Thirtieth Ohio Volunteer Infantry as a private. In April, 1862, he was promoted to First Orderly Sergeant. He participated in a number of battles and skirmishes, the most important being Giles Court-House, Carnitax Ferry, Second Bull Run, Centerville, South Mountain, Antietam, Haines’s Bluff, Jackson, Champion Hill, Black River and Vicksburg.

At the last, May 22, 1863, while storming Fort Gregg, he being in command of his company at the time, all but fourteen of his men were killed, he himself losing his left arm. After submitting to two amputations of the same arm, and being unfitted for service thereby, he was discharged for disability in 1861.

He returned to Athens and attended the Ohio University until the close of the college year in 1866, then went to Missouri and that fall was engaged in the insurance business. During the winter he taught school in the village of Maysville, of that State; returned to Athens in April, 1867, and the following fall was, without opposition, elected Recorder of Athens County on the Republican ticket. He held that office by being re-elected, for twelve years. From January to June, 1880, he held the stewardship of the Athens Asylum for the Insane. Losing that position through a change in the administration, he was appointed Recording Clerk in the office of the Secretary of State at Columbus, in December, 1880, remaining there until January, 1883.

Historical treasure trove

Norman K Allen 07-27-2013Saturday evening, I was meeting with some of the folks from the Athens Historical Society and Museum and giving them a recap of my day. “Does the name ‘Josiah Benton Allen’ mean anything to you?” I asked.

The room suddenly got quiet, then someone said, “Well, duh, yes. He was a big deal.”

“What would you say if I told you I spent two hours with his descendants. Oh, and by the way, they have his Purple Heart and some of his original correspondence?”

Saying something like that to historians elicits a Pavlovian response. “How did you meet these people?”

“Oh, just by knocking on doors. That’s what I used to do.”

(You can click on the photos to make them larger.)

Altenburg Full Moon

Lutheran Heritage Center and Museum full moon 07-22-2013I spent the day roaming around in small coal mining towns I last saw in the early 1970s. It’s funny how I would catch a glimpse of the side of a building and recognize it immediately, then pass through a whole town without a flicker

Athens Historical Society Museum curator Jessica Cyders and I met with some members of the Little Cities of Black Diamonds to see what mutual interests we might have. I photographed the architecture in town of Shawnee in 1969 for an independent study course. It felt good to see so many buildings still standing. Some are a bit wobbly, but I don’t stand so straight these days, either.

Lutheran Heritage Center

The photo above isn’t from Shawnee. It is the Lutheran Heritage Center and Museum in Altenburg taken under the full moon. I described all kinds of technical machinations for shooting Tower Rock the other night. This is decidedly low-tech. I shot it out my car window. The shutter speed was slow enough that I had to turn off the motor to get it anywhere near sharp.

The moon provided some nice backlighting, but the right side of the building was a trifle dark. I moved car slightly so the headlights hit it. It would have been a little more evenly lit if I had aimed the car a little more to the left.  I used that technique when I was doing a story on an old homeless guy who sold pencils on the street. I spotted him asleep on a dark park bench. Once I got the angle I wanted, I radioed another photographer to drive over and light him up.

Trinity Lutheran Church

Trinity Lutheran Church Altenburg full moon 07-22-2013I was was headed to drop Gerard Fiehler off at his house when we decided to see how the moon looked on the Trinity Lutheran Church. I thought a street light made the building look ugly and was turning around when I shot the photo of the center. While I was doing that, Gerard got out of the car to see if he could find an angle where we could get the moon without seeing the street light.

His diligence paid off. It’s not a great shot, but it’s pretty good for a situation I was going to blow off.

Somewhere in Kentucky

Kentucky Interstate 07-25-2013

I haven’t driven the roads between Cape Girardeau and Athens, Ohio, enough to know every turn like I do the regular routes back and forth to Florida. When I stayed at LaGrange last night, I wasn’t even sure what state I was in, other than exhaustion and confusion.

When I was pumping gas and scraping suicidal bugs off the windshield, I wondered who swiped summer. It was chilly enough that I’d have reached for a jacket had one been handy. It felt more like early November than late July.

Thursday was spectacular: the sky was blue with puffy white clouds all around. It was a good day to be on the road. This was taken somewhere in Kentucky.

 

Tower Rock, Full Moon and HDR

Tower Rock full moon 07-22-2013 7300-7302_HDR2Warning: photo geek stuff to follow. If you’d rather just look at pictures of Tower Rock and the Mississippi River under the full moon, click them to make them larger.

I grew up doing Plain Jane photography. All I had to think about  was film type (color or black and white), film speed, shutter speed, aperture and focal length of the lens. Color / black and white was easy: until I got to The Palm Beach Post, all my work photography was black and white.

I almost always used Kodak Tri-X film for everything except available dark photography, where I experimented with all kinds of exotic film and developer combinations to be able to shoot where you could barely see.

Film speed and f/stops determined how much light hit the film. If you wanted to stop action, you’d use a fast shutter speed and a wide lens opening. If you wanted lots of stuff sharp, you’d stop down the lens and be forced to use a slower shutter. It’s all about math.

Lens choices were equally easy: want to get lots of stuff in, use a wide angle; want to shoot something a long way off, grab a telephoto.

Menus have menu menus

My new Nikon D7000 has more menus than a classy restaurant.  The submenus have submenus, most of which I have never explored. The other night, though, I ventured into the unknown. If I have time, I usually bracket my exposures: in other words, I shoot one at what the camera or I think is right, then I go an interval above and below that exposure in case the camera or I have made a bad first choice. I print or publish the one with the best action, composition, sharpness and/or exposure.

The  problem is that film, paper and sensors don’t have the range of the human eye. We can usually see detail in dark areas and bright areas at the same time. Cameras can’t – or couldn’t.

Enter HDR

Tower Rock 07-22-2013 7378-7380_HDR2There’s magic in those menus. I opted to enter the land of High-Dynamic-Range imaging, better known as HDR. It shoots those same bracketed images, then allows them to be reassembled into one picture. To be honest, I’ve avoided fooling with it because too many people use it to create what we called in school “technically dominated art shots.” Pictures, in other words, where how you did it becomes more important than the content of the photo.

Just because it’s magic doesn’t mean that it’s always GOOD magic. The photo immediately above looks like it could have been shot during the day. It saved too much ambient light. It was taken at 9:40 p.m. when I had to boost the ISO from 200 to 1000. The three exposures for this shot were 13 seconds, 6 seconds and 25 seconds. All were at f/5. I told the camera to overexpose the image by about 4 times because the meter was sensing all the lights from the shore and the reflections of the water and stopping down.

The photo at the top of the page was taken at 9:04 p.m. when I had the ISO set to 200. The exposures were 13 seconds, six seconds and 25 seconds @ f/3.5. I told the camera to overexpose by a factor of 1.33. The colored blur is a barge making its way upstream.

Old ways sometimes better

Tower Rock whirlpool full moon 07-22-2013_7338Because HDR merges photos taken slight intervals apart, sometimes you lose nice detail that is moving. This single frame shows the whirlpool south of Tower Rock starting to form. You can just barely make out the swirl. I zoomed to 55mm and set the ISO to 200. The exposure was 15 seconds @f/4. I overexposed by two stops.

Boat with HDR

Full moon off Tower Rock 07-22-2013 7372-7374_HDR2I’m not overly excited by this HDR shot of a towboat that conveniently paused across from us for some time.

Boat without HDR

Tow off Tower Rock full moon 07-22-2013_7374This is a single frame from the sequence that made up the vertical photo above. I cropped it tighter (just a little bit too tight at the top) and turned it into a horizontal. I find the moon less interesting than the idea of a pilot feeling his way up the Mississippi like pilots have been doing since the days when travelers were first devoured by the demons inhabiting Tower Rock.

Now that I’ve been exposed to HDR, I’ll use it like a torque wrench: something nice to have, but not a tool I grab every day.