I Like Cape Air

I hadn’t planned to fly Cape Air. In fact, I hadn’t planned to do any flying unless it was another photo flight with Ernie Chiles.

For those of you haven’t been following my car saga, I had some warning lights flicker that the Honda folks interpreted to mean that my transmission was threatening to transmutate into a hunk of inert metal on the side of a very hot highway in the middle of nowhere. I had to find alternative transportation back home so Wife Lila and I could catch a vacation flight to Seattle on Thursday.

After weighing several options:

  • Buy a new car in less than 24 hours.  (Holy cow! I wanted a car, not a house).
  • Buy a junker used car in less than 24 hours. (Why would I think a used car with 140,000 miles on it is any more reliable than my van with 140,000 miles on?)
  • Leave my bike and computer stuff behind, fly home, go to Seattle, figure out what we’re going to do for transportation, then drive back to Cape to pick up my stuff.

Door number three was the winner.

I had to get up at 4 a.m

I was going to have to get up at 4 a.m. Tuesday morning to catch a Cape Air flight to St. Louis, where I would have about 46 minutes to catch a Southwest plane that would take me to Tampa, then West Palm Beach, arriving at noonish.

By the time I had  packed all my stuff, backed up a hard drive to take with me, and filed a couple of stories in advance, it was 20 minutes to 4, hardly worth thinking about going to bed. The night before, my mother insisted on setting her alarm “in case your alarm doesn’t go off.”

I stretched out, hoping to catch 20 minutes of sleep. At 10 minutes to 4, mother came in to tell me that her alarm had gone off. Her clock was fast. I closed my eyes again. Seven minutes later, she turned on the lights. “It’s time to get up,” she said in a voice that made me think I was back in the third grade.

I got up, had a quick breakfast, took a shower, loaded up the car and pulled into the Cape Airport.  I noticed two things: half of the sign welcoming us to the regional airport was burned out, and some patchy ground fog.

Concealed weapons not allowed

If was comforting to see that I wouldn’t be shot by anyone carrying a concealed weapon, so long as they could read. On the other hand, they might take the sign to mean that it’s bad to conceal the weapon, but OK to start blasting away with one carried openly. That’s too much to ponder so early in the morning.

Handy terminal map

As soon as you step into the terminal, you are greeted by this handy map. I was pleased to see that someone had a sense of humor. It reads (in case you haven’t clicked on the image to make it larger), “Okay, so maybe the map isn’t really necessary. But that’s the great thing about flying Cape. Our airport is small, personal and people friendly. You’ll never get lost here – or lost in the shuffle. So welcome. And thanks for flying Cape.”

I might quibble with some of the punctuation (or lack of), but it set the right tone for my experience.

Cape Airport isn’t exactly bustling

The waiting room had plenty of empty seats.

Meet perky Jennifer Huffman

On the way by, three friendly TSA agents said I’d have to get a boarding pass, then they’d start screening passengers about 15 minutes before boarding. They said pictures were OK except of the x-ray monitor when they were viewing the bags.  We stood around chewing the fat for about 20 minutes.

Jennifer Huffman, perkier than anyone should be at that hour of the morning was behind the the Cape Air counter. There was no serpentine Walt Disney World-type line to wind through.

I handed her a business card and asked for permission to take her picture. She looked at it, then said, “I read your stuff. You wrote that you were going to have to get up early.” After we had talked a bit, she went back behind the counter and came back with a framed photo of the St. Louis Arch she had taken. “I’ll see if the pilot can get you close to it,” she said.

Plenty of time to check out the lobby

Cape Air memorabilia was tastefully displayed in the lobby next to Security.

 Collection of photos

On another wall was a collection of photos of the Cape Air team.  I liked them as well or better than the fancy display.

This is not good

No, I don’t mean the breakfast rolls (which I recognized as coming from Sam’s). I mean all of that condensation on the window.

A Cape cop came in to provide crowd control. “It’s really foggy out there. I couldn’t even see the airport from the Interstate.”

“Are you my passenger?”

Just then, a fellow in a uniform walked up and asked, “Are you my passenger?”

(That sounded like the old Ozark Airlines days when you’d call to ask what time the next flight left for St. Louis and they’d answer, “When can you make it?”)

“Only if you show me your birth certificate to prove that you’re old enough to buy a drink.” He looked like he was about 12.

Side note: we chartered a lot of small planes in West Palm Beach. We had one pilot we all liked because he’d fly where you wanted to go (“Land on that dike? Sure. I’ll have to dodge some power lines, but…”) and as low as we wanted, FAA regulations and good sense be darned. I don’t remember his middle and last names, but his first name was “Crazy.” He’d greet new passengers by saying, “I’m a hot-s pilot and I’ve got the epaulettes on my shirt to prove it.”

I looked at my 12-year old pilot and saw he had epaulettes, so I showed him some respect.

“I have bad news. The fog has us grounded. We’re going to be delayed at least an hour until it burns off.”

This plane’s not going anywhere

I did some quick math. “At least an hour” means at least 60 minutes. My layover time in St. Louis was about 46 minutes. Looks like I’m not getting on THIS plane.

Jennifer moved me to the 1:45

When Jennifer heard about my plight, you’d have thought she was personally responsible for the fog bank moving in from the way she apologized for the inconvenience.

Jennifer moved me to her 1:45 flight and Wife Lila started working on finding some Southwest connections I could make. Between our first conversation and this one, Jennifer went to the blog and discovered photos of her kids at the Cape – Jackson game I covered last fall. She was excited.

I went home and slept for a couple of hours, then edited the morning’s photos.

Weight and balance important

By one o’clock, the fog was gone, the skies were clear with some puffy clouds here and there, and the crew was preparing our Cessna 420 for departure.

Weight and where it goes is critical in a small plane. Each passenger was asked his or her weight (on the honor system, I suppose. Unless the counter clerk adds a few pounds if wish and reality are too far apart.) I don’t remember what my suitcase weighed, but it earned a “Heavy” sticker. My computer bag was 22 pounds. “I won’t bother to weigh your camera,” I was told.

Roscoe (see below) had a stroller bigger than my first apartment. It wouldn’t fit in any of the usual luggage compartments, so it was placed in the back of the aircraft. There was much head scratching and moving around of luggage to offset its weight in the rear.

Roscoe was my seat partner

Terra, her husband and 8-1/2-month-old Roscoe were on their way to Alaska to see Roscoe’s grandparents. He was a great seat partner. He didn’t have much to say, didn’t take up much room and was cute. Even when the flight got a bit bumpy he didn’t need the barf bag. He got that all out of his system while we were waiting to board. Because we had already cleared security, a Cape Air employee gave Terra a bottle of water for a quick clean-up.

Cozy, but not cramped

I like small planes. I hate being treated like cattle on the big ones. If I can drive there in less than 24 hours, put me in a car.

I like being close enough to the pilot to be able to read all the gauges. It’s cool to see your airspeed, rate of climb, altitude and all the rest. You can tell whether the pilot is concerned or if it’s just another day of driving the bus for her.

With all of the government cutbacks, there’s no money left to patch the potholes in the sky. Our pilot did a pretty good job dodging them, but we had a few good bounces from time to time. That just added to the experience.

You’re not flying high

You plow your way through some of the clouds that an airliner would go way over. You are, at most, about a mile in the sky, not six miles. Features on the ground are easily identifiable. That orange-colored area in the center of the photo is land being cleared for what is rumored to be a minor league ball park (or not).

Conditions aren’t ideal for aerial photography.

  • I like to shoot at the FAA minimum altitude over populated areas – 1,000 feet. We were probably twice that high here.
  • I like to remove the door of the aircraft or, at least, fix it so the window will open. Commercial airliners frown on that. I’m pretty sure there were no air marshals on our flight, but I think someone would have stopped me if I had tried to remove the window.
  • The window has a bit of a color cast to it and you have to deal with reflections. I shoot with a polarizing filter on the lens that helps cut through the haze and eliminate as much glare from the glass as possible.
  • The largest windows are over the wing, so I picked the largest one behind that wing to keep from having my view blocked. The first officer said I should be on the right side of the plane if I wanted to see the Arch.

[Note: excuse in advance. I normally edit my photos on a color-calibrated monitor for consistency. If the pictures don’t look right while I’m on the road, it’s because I’m working on a laptop. If you change the angle of the screen, it changes the brightness of the image, so you never know exactly what’s right. My apologies.]

You don’t blast off like a rocket

Everything moves more slowly in a small plane. You don’t rocket into space. You have a leisurely climb to altitude that lets you pick out local landmarks like the Bill Emerson Memorial Bridge on the left and Cape LaCroix Creek joining the Mississippi river at bottom right. You can see that a substantial portion of East Cape is still covered in water. The river splits on the right to go around Marquette Island.

No fancy jetways for Cape Air

All too soon, we were on final for the St. Louis airport. Approach control routed us a little too far south to shoot the arch through the haze, unfortunately. When we were way south of it, it picked up some rays of the sun and gleamed back at us, but I didn’t even try for a shot. (The First Officer apologized for not being able to get closer. See if that ever happens when you fly Delta.)

You don’t have to wait for the ground crew to maneuver a fancy jetway to disembark. As soon as the plane stops rolling, the door is opened, you’re told to stand behind the wing for safety reasons, and someone hands you your carry-on luggage (which isn’t really carried on: it’s placed in a luggage compartment).  Any checked bags are sent to the baggage carousel.

Bill Adams was on the flight

In an interesting coincidence, Bill Adams (striped shirt) and his wife were on the flight, also headed to Seattle. You might remember that he was the fellow who built a huge American Flag out of red, white and blue license tags. They’re going up to visit their daughters. I kept trying to convince Bill to switch to digital photography, but he’s still a film guy.

Passengers, not two-legged freight

If you want to rediscover what flying was like when passengers were considered important and not two-legged freight, hop a flight on Cape Air. Everyone from the ground crew, to the flight crew, to Jennifer at the counter was friendly and helpful. Even the two men and woman with the TSA were relaxed and willing to trade stories.

Cape Air is cheaper and faster than the ground transportation option I had considered. If you want to see Southeast Missouri from a new perspective, the small commuter airliner is the way to do it.

“The Barn” for Good Fishing

Faithful reader and regular contributor Keith Robinson was in town from Kansas City for a family reunion and suggested that we get together. He was a little young to be on my radar, but he was in Scouts with my brothers and Dad. He’s a great resource because he’s a model railroader who is attempting to recreate a layout of all of Cape’s railroads between Nash Road and Cape Rock. I think he’s accounted for every spike that’s ever been driven in this area.

He came out to the house and we looked at old photos for a couple of hours. He spotted a landmark that I’ve thought about often, but would have sworn I never documented. When I started school and we moved out of the trailer that Dad and Mother hauled from job site to job site, we rented a house at 2531 Bloomfield Road. It was a great house for a kid: there was a flat field west of us that was great for playing catch. A sloping field on the east side had some climbing trees at the bottom.

Cape LaCroix Creek oxbow

Best of all for a budding fisherman, The Barn was close enough that I could persuade Mother to take me down to fish in what I thought was a pond, but looks in the aerial to be an oxbow of Cape LaCroix Creek. The Barn, sometimes called The Red Barn, is on the lower right. (Click on the photo to make it larger.)

Cape Ready Mix is center left. Rueseler’s Chevrolet is across the street. Click here to see the Chevy dealership at night from the ground.

I couldn’t find many stories about The Barn as an eating establishment. As I recall, their specialty was barbecue, but I think they also sold watermelon in season. I think they also had fireworks for the Fourth.

South Kingshighway today

The area looks entirely different. The Barn is long gone. It was located about where the S Kingshighway label is. The shopping mall is in the upper right-hand corner. Southern Parkway, which connects I-55 to the Bill Emerson Memorial Bridge didn’t exist in the 60s.

South Kingshighway – Bloomfield Road

This was taken slightly north of the previous photo and shows the intersection of South Kingshighway and Bloomfield Road. On the far right-center of the photo, where the highway crosses over Cape LaCroix Creek is a small building that I think was Central Packing Company. Whatever it was, it produced the most nauseating stench on a hot day. They had to have been dumping offal into the creek. I’ve often wondered if the current occupants are aware of what the building had been used for.

Stories about 607 South Kingshighway

Even though I didn’t find any stories about The Barn as I remembered it, there were plenty of stories in The Missourian about businesses at that address.

  • Oct. 18, 1968 – Ad: 8-hour liquidation sale on appliances. Barn Discount Appliance. 607 Kingshighway (south of Plaza)
  • Dec. 6, 1968 – Ad: Liquidation Auction Sale. New merchandise – name your own price. Red Barn. 8 big sales days before Xmas. Terms: Cash Everything sells. Located 607 South Kingshighway, across from Rueseler Chevrolet.
  • Oct. 17, 1969 – City council news: Upon a report of the police department, refused the application of Thomas H. Armbruster for a liquor by the drink license at the Barn, South Kingshighway. [Note: I wonder if that’s what killed it as an eating and dining establishment?]
  • Nov. 15, 1969 – Fronabarger business column: There will be a new retail shoe outlet in the city. Dee Dee’s Shoe Outlet, specializing in women’s footwear, will occupy the site of The Barn on Kingshighway south. The outlet is now located at Dutchtown and is owned and operated by Kenneth Corbin. The store is to be opened soon.
  • Mar. 1, 1979 – A string of burglaries was reported. “The Dee Dee Shoe Outlet, 607 South Kingshighway, was also reported burglarized. Two six-packs of Coors beer were reported missing.” [Note: beer break-in at a shoe store?]
  • June 27, 1982 – A burglary was reported at Dee Dee’s Shoes, 607 South Kingshighway. Entry was gained by removing a padlock from a door on the south side of the building. Taken were eight pairs of women’s shoes, a 15-inch color television set, a radio and a fire extinguisher. Loss was estimated at about $275. [Note: Total loss for all of that was $275?]
  • Dec. 29, 1986 – Kingsway Nissan, 607 S. Kingshighway, joined group ad urging readers not to drink and drive.
  • July 11, 1988Michael S. Hurt reported a car stereo stolen Sunday morning at 607 South Kingshighway. (Coad Chevrolet, across the street, was also hit for an AM/FM cassette car stereo.)
  • Feb. 23, 1989 – A Jetsound AM/FM cassette radio and power booster belonging to Kingsway Nissan was stolen from 607 South Kingshighway, it was reported Wednesday. [Note: I wonder if it was an 8-track? It would be fun to see if I could find the date when the last 8-track stereo was stolen in Cape. Last week?}
  • Sept. 28, 1989 – Auffenberg Nissan – Jeep – Eagle looking to fill full-time office position for someone experienced in computer accounting, car deals, accounts payable, accounts receivable and payroll.
  • Feb. 24, 1994 – Business wrapup: Crown Cadillac Old Nissan, which moved from Independence to 607 S. Kingshighway last year, reported a healthy increase in sales in 1993.
  • Mar. 30, 1998 – Business personnel column: Ray Drury is retiring from the automotive industry after 39 years. Drury will retire Tuesday from Crown Cadillac Olds Nissan, 607 S. Kinghighway, after six years with the company as salesman.

Jackson High School Aerials

I was doing some grave searching in the Jackson Cemetery the other day when I noticed how much had been added on to the Jackson High School across the street. I’ll have current photos soon, but here are some aerials of the area I shot in the mid to late-1960s. You can click on any image to make it larger.

This frame is looking to the north.Hubble Creek is on the left, the County Courthouse and downtown is at top right. Jackson Cemetery on on the lower right. I see people lined up on the football sidelines, so something must be going on. There are also people on the playing field at the bottom right.

Looking east

This photo is taken from the west, looking east. Highway 61 is on the right. The County Courthouse is center left, and the Hwy 25 – 61 intersection is at top right. There’s a junk yard at the bottom right. (I guess it would be called a salvage yard these days.)

Looking southwest

West Jefferson Street is to the right of the stadium. Hubble Creek runs diagonally across the top of the frame, passing by the junk yard and under Hwy 61. Almost all of the area to the left of the stadium has been turned into parking these days. The houses in front of the high school have also been converted to parking. [Personal rant: the next time you complain about the cost of bicycle facilities, ask yourself what it costs to pave over acres of ground for parking lots.]

View to the south

The final view is looking to the south. Hubble Creek is on the right and Hwy 62 runs across the frame at the top. The footbridge across Hubble Creek has been replaced by an extension of West Jefferson if I’m reading Google Maps correctly.

The last time I flew over Jackson, I took lots of photos of downtown and the courthouse, but didn’t think to make a pass over the high school. I’ll be running photos of it from the ground in the next day or so. It’s amazing how it’s grown.

 

 

How to Save a Bad Picture

Most of my photos are uncropped and have minimal enhancement. My goal is for the photo to reflect reality (or, at least my vision of reality) as much as possible. That might mean that I’ll burn down (make darker) areas that I want to minimize or lighten areas that I want to emphasize. Your eye naturally goes to lighter areas, so I may subtly darken the outside of the print to lead you to what is important.

During the 70s, photographers overdid that effect, creating what we purists called “Hand of God” burns where the backgrounds were taken all the way to black and the center of the print had an unearthly glow. That phase didn’t last long, fortunately. (As usual, click on any photo to make it larger.)

I won’t add nor take away people and objects like some national publications have been caught doing.

Old film can be challenging

Because I’m working with a lot of old film, I have to spend a lot of time taking out scratches and dust spots. Some of the film had uneven development or, because of the way the film was stored, it may have deteriorated. That’s not so much of an issue with black and white, but it can require quite a bit of tweaking with color film.

Sometimes, like with these photos of Bald Knob Cross, which I published in February 2010, the picture is made in the darkroom almost as much as in the camera.

Here’s what I started with

I didn’t even realize I had these. They were tacked onto a roll of other aerials. They were grossly underexposed to the point where I originally probably dismissed trying to print them on photographic paper. The Nikon digital film scanner picked up detail that I didn’t know was there.

Here are the problems

  • The film was way underexposed.
  • The developing of the film was uneven, probably due to lack of agitation during the first step.
  • It was a cloudy, hazy day.
  • It was sharp, but not REALLY sharp.

First crop was too tight

My first attempt was driven by laziness. My thought was that the more I cropped the photo, the less I’d have to fix., so I came in very tight. That got rid of the uneven development problem, but it didn’t feel right. It was cropped so tightly that the cross didn’t have room to “breathe.”

How did I get to the final Bald Knob Cross?

  • I cropped out the imperfections, but I gave it more “air.” It turned out that the dark cloud shadow behind and in front of the cross helped emphasize its whiteness.
  • I increased the contrast, making the blacks blacker and the whites whiter. That caused the trees and their shadows to do some interesting things. It caused the cross to “pop,” too.
  • I applied sharpening. Adobe’s Photoshop editing program has what are called Sharpening Filters. You don’t want to overdo those. I normally set them to from 33% to 66%.
  • I hit the Sharpen button and liked the effect, so I punched Sharpen More. Wow, those trees are really being emphasized nicely. One more punch and it looked like they had been drawn with pen and ink. One more punch and they looked like crap. Time to back off.
  • I could have burned in the edges a little more, but the cross is so white that your eye doesn’t need much help to figure out what is important.

Making something out of nothing

This photo has more wrong than right.

  • There are ugly dark spots from poor development all over the frame.
  • The cross is lost in the haze and distance.
  • The foreground is a jumble of uninteresting brush. (To be honest, there are some intriguing shapes in that brush. Someone more skilled in Photoshop and with more patience could probably pull something out of it. I’m not that person.)

Finding the pony in the manure pile

There’s an old story about an optimistic child who, when given a pile of manure for Christmas, immediately started digging. “There’s gotta be a pony in here somewhere,” he exclaimed.

Here’s what we did to find the pony in this picture:

  • We cropped the bejeebers out of it, turning a dull vertical photo without a center of interest into an extreme horizontal that drags your eye right to the cross.
  • We bumped up the contrast and let the sky go almost completely white, which allowed the cross to have some texture.
  • The hill was taken from a dull gray to almost completely black. The left and right edges, an exception to the normal rule, are allowed to keep just a little texture to balance the grayish white of the cross. The grainy effect of the extreme crop gives the illusion of a forest.

It’s not great art, but it’s what distinguishes the professional from the amateur. Many amateurs can outshoot a lot of professionals on any given day. The difference is that the pro ALWAYS has to come back with a picture, even if he has to dig deeply into the pile to find it.

Carve away everything that’s not a lion

Do I really have to go through all those thought processes in the old-fashioned darkroom or the digital editing process?

Nah, not really.

The way you print a photograph is a lot like what a sculpture said when asked how he was able to carve a magnificent statue of a lion: “I start with a square block of marble and keep carving out everything that’s not a lion.”

A photographer captures a tiny fraction of time in a box, then works to bring it back to life. Some days it works better than others.