Athens Ohio Archives

March 31, 2012March 29, 2021

Ohio University Post

I’m going to stray off the Cape Girardeau reservation to run some photos of folks I worked with at The Ohio University Post in Athens, Ohio, in 1967 and 1968. April Fool’s Day is as good a time as ever to publish them. The student newspaper is celebrating its 100th year with a special alumni reunion April 13-15. Despite what some folks might think, I was NOT around in 1912 when the paper launched as The Green and White.

The event organizers are looking for photos of old staffers (old as in age AND as in former). You regular readers can tune out for a day while I wallow in Ohio nostalgia for a day or so. Click on any photo to make it larger.

The OU Post saved my college career

I was woefully unprepared for life in a big, impersonal university when I transferred in as a junior. It was a good thing my first stop after unpacking my bags in the dorm room I shared with two freshmen was The Post.

See, regular students in the Fine Arts program worked in gang darkrooms using chemicals mixed by other students who may or may not care if they got it right. The darkroom equipment was old and abused. I was used to working in my own darkroom where everything was well-maintained and everything had a place.

Post photo editor Walt Harrison saw my portfolio and hired me on the spot. He saw I was an experienced newspaper photographer, but didn’t know that I was a lousy technician with no formal training. When you print for newspaper publication, for example, you print differently than you do for prints that hang on the wall. Newspaper photos are made up of tiny dots that transfer ink to the equivalent of splintery toilet paper. The process causes the image to pick up contrast, so you have to print “flat” when you send it back to the engravers or it won’t reproduce properly.

Tiny, but efficient darkroom

I couldn’t understand why my instructors kept kicking my prints back for being flat. Fortunately, the folks on The Post and the Athena yearbook gave me the help and criticism I needed to understand what I needed to do. One night I went to cover a routine assignment, then made the first “good” print of my career to that point. A light went off in my head and I suddenly got it. My work steadily improved from that point as I grew in confidence. I cleaned up in the Ohio College Newspaper Association contest that year because most student photographers don’t have as much hard news in their portfolios.

When Walt stepped down as photo editor, I took over his job. I didn’t even know it was a paid position until I got a check at the end of the school year. It didn’t make any difference to me: all I knew was that I had a darkroom shared with only two or three other shooters, a boundless supply of film and paper, and a bunch of accomplished photographers who weren’t shy about critiquing my work. I learned more from them than from any of my classes.

“Radical” Editor Andy Alexander

There are lots of photos of Andy Alexander because I had a freelance job from The Dayton Daily News to illustrate a story former Postie reporter Carol Towarnicky wrote about him. (I always called Carol “CT” because I couldn’t spell, let alone pronounce Towarnicky.) CT’s story said “Andy Alexander never marched in an anti-war demonstration. But he has marched through a few rice paddies, which would explain why the ex-Eagle Scout something talks about the United States in four-letter obscenities. And why the short-haired radical sometimes disparages the New Left.

Because Andy Alexander has a jump on most college students. He’s been there. He’s seen Vietnam. And it appalled him.” Here’s CT’s story on Andy Alexander.

Andy financed a trip to Vietnam the past summer out of his own pocket. “I went to make a name for myself,” he explained matter-of-factly. “I doubt I found any newsman who was there out of dedication… Everyone wanted to make it big, fast. Some of them died trying.” He spent two summers reporting for the Melbourne (Australia) Herald. A year before he found himself in Prague, reporting the Russian invasion of Czechoslovakia.

I liked Andy. The Dayton Daily News might think he was a radical, but I found him a solid, steady pro who ran the student newspaper as well as any paper I’ve worked for.

Clarence Page like you don’t see on TV

When you see Chicago Tribune Pulitzer Prize winner Clarence Page as a frequent talking head on the news shows, he doesn’t look like the Clarence I knew. Here, Clarance points what I hope is a toy gun at Mark Roth. Unflappable editor Andy, with his back to the camera, ignores the tomfoolery going on behind him.

Clarence was a solid reporter who was always ready to push the boundaries. One night he used the F-word in a story and The Athens Messenger’s production crew almost didn’t publish the paper that night. The fact that The OU Post has been in existence was in spite of Clarence, not because of him.

I heard Clarence pontificating about something on NPR the other afternoon and had the same sense of unease as when I heard that classmate Jim Stone was trying to explain science to politicians and that Bill Clinton had been elected president. I mean, aren’t they supposed to have adults doing those jobs?

Expectant fathers

This was the first edition of the new school year to come rolling off The Messenger’s presses in 1968. Jesse Rotman, Bill Sievert and Tom Hodson were pacing the floor like fathers-to-be in a delivery room.

Ohio University Post photo gallery

Here’s a collection of photos of Ohio University Post staffers at work (mostly). Click on any photo to make it larger, then click on the left or right side of the image to move through the gallery.

March 23, 2012May 3, 2021

Dick Gregory for President

With all of the controversy about whether or not Cape Girardeau’s Rush Limbaugh should be in the Hall of Famous Missourians, I stumbled across a Show Me state resident who deserves a nomination – Dick Gregory. I was looking for something else the other day and stumbled across these photos of Gregory speaking at Ohio University in 1968.

I was surprised to find that (a) he was from St. Louis and went to school at Southern Illinois University and (b) he was still alive.

The Black Mort Sahl

The biography on his website says that he was African American comedian and civil rights activist whose social satire changed the way white Americans perceived African American comedians.

He was part of a new generation of black comedians that includes Nipsey Russell, Bill Cosby and Godfrey Cambridge. They broke with the minstrel tradition, which portrayed blacks as stereotypes.

Gregory, who had a dry, satirical wit, came to be known as the “Black Mort Sahl.” (Friends of Gregory would refer to Sahl as “the White Dick Gregory.” I was fortunate to cover Bill Cosby when he played Ohio University at about the same time.

“Nigger” was best-seller

I bought his autobiography, Nigger, when it was published in 1963 (when it was on its way to becoming the number one best-seller in the country), but I never felt comfortable walking around with the cover showing, even though he explained in his forward that he had written a note to his mother saying, “Whenever you hear the word ‘Nigger,’ you’ll know they’re advertising my book.”

Routine impressed Hugh Hefner

He got one his earliest breaks when Hugh Hefner heard him perform this routine in front of a mostly white audience when he had been brought in as a last-minute replacement:

Good evening ladies and gentlemen. I understand there are a good many Southerners in the room tonight. I know the South very well. I spent twenty years there one night.

Last time I was down South I walked into this restaurant and this white waitress came up to me and said, “We don’t serve colored people here.” I said, “That’s all right. I don’t eat colored people. Bring me a whole fried chicken.”

Then these three white boys came up to me and said, “Boy, we’re giving you fair warning. Anything you do to that chicken, we’re gonna do to you”. So I put down my knife and fork, I picked up that chicken and I kissed it. Then I said, “Line up, boys!”

His temporary gig at the Chicago Playboy Club lasted three years.

Gregory changed my career

I was covering the event for The Ohio University Post. Much to my surprise, I got a call from The Athens Messenger, the local paper, asking if they could run my photo taken of Gregory while he waiting to go on. It was a surprise because I had seen photographer Bob Rogers at the press conference earlier that day, and I assumed that he must have covered the speech as well.

See, newspapers HATE to pick up something from a competitor. Now, The Post was the university student newspaper and The Messenger was the “real” paper, so we weren’t exactly competitors, but I always looked to see how I had stacked up against Bob or Jon Webb when we had been at the same event.

I was flattered that they wanted the art, so I offered it up quickly. I think that’s probably what led to them offering me an internship that summer. When they couldn’t find anyone who would work as long, hard (and cheap) as I would, it turned into a full-time job. When Bob moved on, I became chief photographer.

Write-in Candidate for President

Gregory ran for president in 1968 as a candidate of the Freedom and Peace Party, a splinter group of the Peace and Freedom Party. His button reads, “Write in Dick Gregory President for Peace in ’68.”

I guess I can add him to the list of presidents and presidential candidates I’ve covered.

Standing ovation

Gregory’s speech was well-received by the mostly white audience. Even though I was busy shooting the event from a multitude of positions, I heard enough to be impressed by the way he managed to get his point across without stabbing anyone with it.

I think he opened some eyes that evening. Most of us hadn’t heard that perspective before.

This site has an interesting collection of Dick Gregory quotes. In some he’s funny; in others he’s ironically angry; in others, he’s thought-provoking.

Interesting body language

I didn’t notice it when I edited the film in 1968, but take a look at the photo gallery. There’s an interesting contrast in body language between the white students and the black students at the afternoon press conference.

I see a lot of crossed arms and furrowed brows. I’m not sure the black students were as receptive to Gregory’s message as the white students.

Dick Gregory Photo gallery

I included a bunch of press conference photos in the gallery to show some of the folks I worked with in those days: Bob Rogers, Tom Price, Ed Pieratt and some radio and TV guys who look familiar (but we print guys didn’t bother pay much attention to them). Click on any photo to make it larger, then click on the left or right side to move through the gallery.

February 29, 2012April 15, 2021

Covering Simon and Garfunkel

When I shot this photo of Paul Simon and Art Garfunkel in concert at Ohio University on Oct. 29, 1968 (if you can believe the negative sleeve), I didn’t know then that the body language might be a hint of the breakup of the duo coming just two years later.

The two singers met in elementary school in 1953 (where they appeared in the school play Alice in Wonderland) and recorded their first record as Tom and Jerry in 1957. The went off to separate colleges, but got together after Paul Simon wrote some folk songs, including one dedicated to murdered civil rights worker Andrew Goodman. Goodman had been a friend of both men and a classmate of Simon’s at Queen’s College. They cut Wednesday Morning, 3 A.M., which initially flopped when it was released in 1964.

Is THIS Paul Simon?

I recognized Garfunkel right away, and the sleeve was tagged Simon and Garfunkel, but this guy didn’t look like the Paul Simon I was used to seeing. I wondered if he was a backup singer. It wasn’t until I covered up the scraggly beard and mustache that I saw Paul emerge. His eyes and nose definitely give him away.

Simon and Garfunkel were at their peak

After a few stumbles, they caught fire. The single Sound of Silence became a #1 hit in 1966 and the album by that title made it to #21. Wednesday Morning came back and climbed to #30. The songs kept coming in 1966: Homeward Bound; I Am A Rock; The Dangling Conversation; Parsley, Sage Rosemary & Thyme; A Hazy Shade of Winter. They definitely provided the soundtrack of our lives that year and for the next few.

Mrs. Robinson was the biggie

In January, 1968, Mike Nichols’ film The Graduate was released. Peter Bart wrote in a May 15, 2005, issue of Variety that Nichols had been obsessed with S & G’s music while he was shooting the film and had producer Larry Turman cut a deal with Simon to write three new songs for the movie.

By the time they were nearly finished editing the film, Simon had written only one new song. Nichols begged him for more but Simon, who was touring constantly, told him he didn’t have the time. He did play him a few notes of a new song he had been working on; “It’s not for the movie… it’s a song about times past—about Mrs. Roosevelt and Joe DiMaggio and stuff.” Nichols advised Simon, “It’s now about Mrs. Robinson, not Mrs. Roosevelt.”

Personal tensions and creative differences caused a strain that reached its breaking point during the production of their last album, Bridge Over Troubled Water in 1970. The album was originally supposed to contain twelve songs, but Simon refused to record a Garfunkel pick and vice versa. It was finally released with only eleven songs on it.

What do I remember about the concert?

Not a lot. When you’re shooting something like this, you have all your visual senses working. You’re concerned about angles, light, shutter speeds – technical stuff – not the music. I’m sure they played all the favorites, but I don’t know that I actually heard any of them.

I learned early on that I couldn’t count on being the best shooter at an event: I had to be the one who showed up earliest, stayed the latest and was willing to scout out the odd positions. I’d cover myself by shooting the standard, “safe” shot, then go looking for the unusual.

I took these high-angle photos from the lighting catwalks high above the concert floor. You don’t ask permission to do something like that because people will find a dozen ways to turn you down. If you just do it, though, everybody assumes that it must be OK.

Not every shot works. This one doesn’t, but you don’t know until you try. It’s always a mistake not to push the button when your instinct tells you to. Something drew your eye there, and if you don’t shoot it at that moment, the magic will leak out if you stop to think about it. You can always discard; you can’t recreate.

Look at the audience

I was surprised to see how well-dressed the audience was. This is a folk-rock concert, so you’d expect to see a lot of casual hippie-type clothing, but most of the guys have on suit coats, if not ties. Hair lengths are Kennedyesque, not shoulder-length. Skirts are delightfully short.

Other concert photos

Simon and Garfunkel photo gallery

There are a lot of “magic moment” photos in this selection that I knew at the time would never make it into the paper, but were recorded anyway. Now that I’m not constrained by the cost of dead trees and ink, you’ll get to see them. Like I said before, most of them don’t work, but they do give you some insight into my thought process and how a picture evolves. Click on any image to make it larger, then click on the left or right side to move through the gallery. Humming of music is allowed.

February 21, 2012

John Glenn Runs for Senate

It’s been 50 years since John Glenn made his trip around earth in the Friendship 7 Mercury spacecraft. Eight years later, he was brought to earth in a different way when he failed to win the Ohio Democratic nomination for the U.S. Senate. He lost to Howard Metzenbaum, who lost to Robert Taft, Jr., in the general election.

These photos were taken when he was campaigning in Athens, Ohio, in 1970.

The Gold Star Mothers speech

Glenn and Metzenbaum faced off again in 1974. Metzenbaum contrasted his strong business background with Glenn’s military and astronaut credentials, saying his opponent had “never worked for a living.”

Glenn’s reply came to be known as the “Gold Star Mothers” speech. He told Metzenbaum to go to a veterans’ hospital and “look those men with mangled bodies in the eyes and tell them they didn’t hold a job. You go with me to any Gold Star mother and you look her in the eye and tell her that her son did not hold a job.”

Began Senate career that lasted until 1999

After besting Metzenbaum in the primary, he beat his Republican opponent and held the Senate seat until 1999.

John Glenn photo gallery

Missourian photographer Fred Lynch’s blog had a photo of John Glenn campaigning for Robert Kennedy in Cape in 1968. I didn’t shoot Glenn there, but I did snag these photos of the astronaut two years later. Click on any photo to make it larger, then click on the left or right side of the image to move through the gallery.