Team Mug Shots

The first time I went out to shoot a high school team’s mug shots for The Missourian, I took individual photos of each player. That was a chunk of change at five bucks a head. Unfortunately, jBlue balked at paying that much.

“Shoot the whole team in one photo. We’ll crop the individual mugs from it,” he ordered. (Click on any photo to make it larger.)

Chuck Murdoch brokered a compromise

That might have made good sense from The Missourian’s standpoint, but it meant that I had to spend an hour or more driving to the school, setting up the pictures, collecting IDs, plus another hour in the darkroom for the five bucks. The other problem was that each head was significantly smaller than a dime, which was considered the minimum size any face could be to show up clearly in the paper.

Break ’em up into fours and fives

Sports editor Chuck Murdoch, worked out a compromise: I’d break the team into groups of four or five and get paid $3 a shot for mugs. That would give Chuck faces big enough to reproduce and would make me enough money to be worthwhile. (I didn’t know in those days I could tell somebody to take a hike if I didn’t like the price.)

I got better at it

I got better and faster with experience. First off, I learned how to control the situation: I wouldn’t let a coach dictate how I was going to shoot and I wouldn’t take any guff from the players. I’D pick the location to give me the best light to work with. Then, I’d enlist the coach or someone else to help the guys write their names on a sheet of paper and line up. I’d pitch a coin on the ground or floor and say, “Kneel on the coin. I’m going to take two shots. In the first shot, hold the sheet of paper under your chin like a jailhouse booking photo. Then, drop the sheet and give me an expression that’ll make your momma proud.”

It wasn’t art

Once I realized that nobody was looking for meaningful portraits that captured the soul of the player, I could knock off a team in about 30 minutes. All the sports department wanted was a reasonably sharp photo that showed two eyes, a nose, a mouth and two ears (if the player had all those parts) that they could run 1 column by 3 inches to break up the type. (These aren’t examples of when I had my act together, by the way. I was still learning.)

No Tomatoes Were Thrown

Perry County is experiencing a bumper crop of tomatoes this summer, so I was a little uneasy about facing an audience at the Lutheran Heritage Center and Museum in Altenburg. Folks up in the ridges aren’t shy about expressing their opinions, and I was hoping not to come home dripping rotten tomato juice.

The purpose of my visit was to have the audience help narrow down some print selections for an exhibit this fall and for me to gauge response to to my talk about regional photography.

I didn’t do a head count, but museum director Carla Jordan said about 40 people attended, about twice what we had anticipated. It was a good group. I went longer than planned, but I didn’t hear any snoring and I didn’t hear any boards creaking that would have given away anyone who tried to sneak out early.

Brother Mark and his friend Robin Hirsch came down from St. Louis. Robin was kind enough to shoot a couple of these photos.

Last resident of Wittenburg

Joanne Holley, in the front row, left, is the last resident of Wittenberg. Her husband, Dave Holley, storyteller extraordinaire, died April 11, 2012. Two of the videos featured him and one was dedicated to him. Her daughter, Kristie, and her grandson are also in the row.

Talking photo technique

Cape photographer Tom Neumeyer stopped by to talk technique and share shooting war stories. Central High School Class of ’66 classmate Dick McLard reminded me that Thursday is the monthly brunch, but I have other commitments that day. Wife Lila would certainly be there if she was in town.

Carla’s introduction was so flattering that I wondered if  she had grabbed my eulogy by mistake. Warren Schmidt was equally kind at the end of the evening. Gerard Fiehler humped stuff out of my car and helped get the speakers working.

Sick cat excuse

Mother is an old hand at the museum, but this was Friend Shari’s mother’s first visit. LaFern Stiver admitted that she didn’t know how she was going to occupy herself in what she thought was going to be a tiny, small-town museum since I had to go a couple hours early to set up. She was pleasantly surprised to see what a great job Carla and her staff do in pulling together the exhibits.

If you’re in LaFern’s bridge club, don’t be surprised to find yourself being hauled up to Altenburg one of these days. (Shari couldn’t make it down from St. Louis. She said something about a sick cat. That sounds vaguely familiar. I think she may have used that same excuse when we were in high school.)

 

Y’All Come To My Party

If you don’t count key lime Daiquiri parties that burned out three blenders in the mid-1970s, I haven’t been involved in many parties. Here’s an invitation to one being held at the Lutheran Heritage Center and Museum in Altenburg Tuesday, July 17, at 7 p.m.

I’m speaking on Regional Photography and showing off my photos at a conference at the museum in October, so this is a chance for folks to help me weed down my print selections and get a sneak peek at some videos I’ll be presenting then.

Museum director Carla Jordan assured me that appetizers and cocktails will be served. Being as how this is a pioneer German community, there’s a good chance that “cocktails” means beer.

You don’t have to dress up

I’m wearing jeans, so don’t worry about pulling out your fancy duds.

One of my favorite bike rides is from Cape to Altenburg (here’s the scenic, if not most direct route). If you haven’t driven it, you’re in for a treat. You’ll be going through beautiful rolling farmlands.

One caution: Carla says keep your eye open for deer. She’s been spotting a lot of them on her drive to and from Cape. I’ve seen a few. They’re pretty grazing in the fields; they’d be a lot less attractive in the middle of the road.

There’s a quilt show, too

If you don’t think it’s worth driving all that way just to see me, the museum has a “Quilters of Lutheran Ladies Aid” display of quilts made by local women.

Quilt photo gallery

Here’s a gallery of some of the quilts.Click on any image to make it larger, then click on the left of right side of the picture to move through the gallery. Here’s a link to the museum’s website.

Flood Creates Big Thirst

A Florida Power & Light dike containing a cooling pond at a power plant in Indiantown, Fla., broke in the middle of the night in 1979, washing a railroad locomotive off its tracks and sending residents scrambling to their rooftops for rescue. At first light, I waded into this bar in Port Mayaca because I saw people coming and going from it.

Thigh-deep water didn’t keep them from serving drinks.

The photo moved on the Associated Press wire. This is the original print I transmitted, including the caption. Click on the image to make it larger.

Decoding the caption

WPB-9 – this was the ninth photo we had transmitted from our office in West Palm Beach that day. We might go weeks without moving a photo, so to have transmitted nine meant that it was a big deal.

(AP LASERPHOTO) – was a required slug.

(ps041645mbr) – I think this was some kind of time stamp. “mbr” meant we we a member newspaper, not an AP staffer or PR flack.

MO MO NOT FOR USE IN FT PIERCE, STUART, FT LAUDERDALE OR MIAMI. Local TV out. – This is where I wasn’t playing nicely with the Associated Press. MO Means Magazines Out. (If they wanted to use the photo, they had to negotiate with us directly.) We were in a highly competitive area, so we “embargoed” our photos from being used by any competing media. I got into quite a set-to with the head AP guy who complained after we expanded our embargo to read, “Florida Out; USA Today Out,” meaning that no paper in Florida nor USA Today could use our photos. The AP guy said, “USA Today is a national paper. They don’t compete with you.”

“They’ve got a paper box in front of my office. I consider that competition,” I retorted, standing my ground.

One of my gripes with the AP was that they were very demanding. They wanted the pictures right away, not caring if you had to meet your own newspaper’s deadlines or or you hadn’t eaten or slept for 36 hours. Oh, yeah, they paid you five bucks a picture and didn’t give the photographer a credit line until just a few years ago.

Why am I running this?

Why am I running this? It’s two in the morning, I don’t have the car packed and I’m supposed to pull out for Cape in the morning. It was this or nothing.

The photo won a couple of national awards. Maybe it was because some folks thought it was news that people around Lake Okeechobee COULD pour water out of a boot without having the directions written on the bottom.